Friday, July 17, 2009

Further clarity on CL Vacation 2009


After a few more days of mulling over my experience at Vacation this year, and after talking with my friend Tami, I've moved further ahead in my understanding of what happened to me there.  I want to offer just a bit more clarity for anyone concerned about my sense of "what I deserve" from God (as I mentioned below), or from my friends in particular or Communion & Liberation in general.

I wish to be clear that this moment of seeing my heart as "black" and perceiving a chasm between myself and what I desired was not a psychological 'low self-esteem' thing, nor were my fears due to any perceived slights or rejection on the part of anyone at the Vacation.  I knew that, on the basis of my experience of the several days before, anything I chose to share would be given room and appreciated by the group.  In the same moment that I felt this deep unworthiness, I did not doubt that I was loved.  This produced a new thought; it challenged me to entertain the possibility that I could be accepted and loved even more deeply, beyond what I thought I could earn by being entertaining or being nice to people.

I believe that this opening up of my heart to a new sort of hope allowed me to see further into the great depths of my need for the Infinite Mystery – to really feel its force in my soul.  If I had sung my song during the assembly reflection time and brought the house down, brought grown men to tears, even had everyone on the carpet prostrate and worshipping me – this would not have satisfied my desire.  What I saw so starkly in that moment was that the answer to the needs of my heart was beyond my grasp – beyond any human grasp.  The source of the beauty, love, and grace that I saw in the people around me wasn’t in them; as they spoke, their hearts became windows into the Beyond, where all those good things live in their fullness.  The only way I could possibly come to possess that goodness and love in its fullness was to beg God to give it to me, somehow.  He would have to give; I could only receive.

Because we are finite beings, I think we often engage in a mental reduction of our relationship with God to the sort of social reciprocity we expect with one another.  When we go to Mass, and Christ miraculously shows up in the appearances of bread and wine – he doesn’t have to do that every time.  He chooses to do that, every time, for us.  He doesn’t owe it to us – not for any moral or theological reason.  He gives Himself in response to our prayer, asking for Him.  His love for us is active and intentional – never grudging, never assumed – always simply a gift.

(H/T: Photo by Joe Soprani)

Sunday, July 12, 2009

A reflection on CL Vacation, 2009


I had an extraordinary time on Vacation with the Northwest CL groups in Bellingham, WA over the Fourth of July weekend. 

Some background on me:  I’m a convert to Catholicism from evangelicalism.  I lived and worked in the Christian contemporary music subculture (both in church settings and in Christian retail) for several decades and was approaching a nadir of total despair at the propagandist nature of it when I discovered the Catholic Church’s artistic tradition and their strong theology of art, and I followed my attraction to the Mystery (which Beauty conveyed to me) into the Church in 1999.  Due to my upbringing, I have a strong sense of the secular nature of my vocation as an artist and, to be perfectly frank, “church music” is now a cross that I reluctantly carry when I’m forced to do so by peer pressure or a sense of duty.  So, when my friends told me that I would not need to sign up to help with anything (registration, ushering, music, etc.) since it was my first time at a CL Vacation, I was grateful – happy at the prospect that they would allow me just to go and participate in the activities.

Alas, it was not to be.  Shortly after we arrived at The Firs in Bellingham on Wednesday evening, before I even checked into my room, my friend Rose (from the Portland SoC) asked if I would be willing to help with music for the weekend.  I remember mumbling something ambivalent and noncommittal, and she told me to look for one Richard From Singapore, who was in charge of the music.  She then sped off to tend to her four younger siblings (their mom Catherine was due to arrive Thursday night).

I paused and asked myself what I should do – whether I should take my guitar out of the car and find this Richard From Singapore and find out what was going on, or just leave it in the trunk and pretend I knew nothing about leading groups in singing – keep my head down and voice low, and not do anything which might cause someone to expect something from me.

I looked around the parking lot and saw several of my friends from Portland, with whom I’d had significant and grace-filled conversations over the past three years in SoC.  In that moment, I noticed that the resentment I’d expected to feel at the mere mention of helping with music was… absent.

So, I went to the building where we were to gather that evening and found the tall, handsome Caucasian man whom the other responsibles identified as Richard From Singapore.  Rose had already told him that I might be coming, and when I walked in, he said, “Ah, you must be Kathleen!  Are you here to help with the music?”  I looked at him, trying to take him in, and paused again before answering.  I looked down at the guitar case in my right hand and said, half-surprised, “Well, Rose told me you needed help, and since I’m here, and I’ve brought my guitar, I – I guess I’m here to help you.”

From that moment on and throughout the weekend, my expectations and assumptions were exploded one right after another.  Richard was very well versed in CL’s repertoire and very organized, which made it easy for Joe Amsberry (from the Salem SoC) and I to help Richard choose and rehearse enough songs for the gatherings each day as well as for daily Mass.  Our planning/rehearsal times were chinked into the cracks between meals and assemblies and reflections, and though we were responsible for a lot, it never felt burdensome – I never felt like I was missing something going on somewhere else while we were rehearsing.  Richard is also an extremely talented singer with highly-polished performance skills, and working with him was wonderful fun for me for the following strange reason:  He was so high-energy, so crazy, and so good at what he was doing that I felt free to be as high-energy, crazy, and good as I could be.  The vibrant energy with which Richard strove to live out his bright, shiny Richardness enabled me to find the place in myself where I can be bright and shiny, in the moment, no matter who’s listening or what purpose it may serve.  In the midst of the fortuitous mix of sacred and secular music we played and sang together over that series of days, I sensed friendly spaces where my own Kathleenness could come out and play.

At the same time something else was happening in my soul at a deeper level.  While doing music with Richard and Joe was a joy, it also seemed to touch a deep wound in my heart – something I couldn’t quite articulate.  At times, I remembered that I had brought my guitar on the Vacation in order to sing some of my original songs for my friends, and I kept trying to figure out a time and place when it would be appropriate to do so.  I thought at first that Saturday’s Talent Show would be the proper venue, but most of the other performers’ acts were light-hearted and comedic – and my songs tend to have a darker melancholic tinge to them.  I decided to stay on the light side with my offerings, but my original goal of singing my own songs for everyone started to flare up and singe the edges of my thinking – it began to distract me from what was happening in front of and around me. 

By Sunday morning, the last day, we were beginning to consider and make judgments about everything we’d experienced together.  We began to sense the weight and significance of the revelation of truth, beauty, and goodness of Christ we had experienced in our friendships with one another.  As various people went to the microphone and shared reflections and questions at our last assembly, the seriousness of our conversation made me think that this might be the time for me to share one of my own songs.  However, as I listened to my friends tell their stories and insights, the Holy Spirit led me in a different direction. 

Tami (from the Portland SoC) was one of the first to speak, and she related how she was struck by the presence of Bishop Joseph Tyson (of the Archdiocese of Western Washington, who was with us on Friday and said Mass for us that evening).  She talked about our use of the word ‘witness’ in CL – that is, we speak as witnesses to our experience with Christ, but she added another meaning to the word – that of being witnessed, of being seen.  She was impressed not so much by the fact that we had the opportunity to see and meet the bishop, but that he had seen and met us.  We were witnessed, we were seen by him.

I continued to listen as Catherine, Steve, Keith, and others shared their experiences, but this insight from Tami began to soak through my distracted mind, steeping in the waves of my thoughts like leaves of a strong black tea. 

I rehearsed in my mind the words of the song I intended to sing and, though I had consciously written it with some CL vocabulary in mind, I realized that the people in this room, much more than anyone at the coffeehouses I frequented, would understand exactly what I was saying.  In singing this song, I would quite possibly be revealed for who I really am.  I might actually - be seen.

And suddenly I was filled with terror, and sadness, and – shame, I think.  The thought of doing the song, the thing I’d so wanted to do all weekend that had put such a torque on my attention, now made me recoil in fear.  I began to cry and couldn’t stop, not even during the Mass that followed the assembly.  My heart seemed so black and ugly, and I felt so ashamed of myself – for wanting more of these beautiful people than I deserved.

Over the past week since arriving home from Vacation, I’ve been trying to process my experience and make some sort of judgment about it.  I found it difficult at first to find words and images to frame my thoughts, but these words, by my favorite songwriter Sam Phillips, have been a help:

I, I love you

when you don’t – when you don’t do anything

When you’re useless, I love you more

When you don’t do anything

 

When you don’t know, when you don’t try

When you don’t say anything

When you don’t move, when you don’t win

When you don’t make anything work 

 - Sam Phillips, Don’t Do Anything, Nonesuch © 2008

The judgment that's formed so far in my mind is this:  I believe that God granted me a glimpse into the great depths of my heart’s need for Him and the reality of His love for me.  I really felt the force of my heart’s attraction to the Infinite Holiness, the Perfect Love and Beauty toward which all earthly loves point. 

The quote below also reminds me of the source of my truest desire, my real destiny:

"It is Jesus that you seek when you dream of happiness; he is waiting for you when nothing else you find satisfies you; he is the beauty to which you are so attracted; it is he who provokes you with that thirst for fullness that will not let you settle for compromise; it is he who urges you to shed the masks of a false life; it is he who reads in your hearts your most genuine choices, the choice that others try to stifle. It is Jesus who stirs in you the desire to do something great with your lives, the will to follow an ideal, the refusal to allow yourselves to be grounded down by mediocrity, the courage to commit yourselves humbly and patiently to improving yourselves and society." 

- Pope John Paul II, World Youth Day 2000


*Photo by Greg Wolfe - that's me in the blue hat, singing atop snowy Mt. Baker with Richard From Singapore (center) and Joe Amsberry (on the right)

Monday, January 05, 2009

This really struck me

Here's a quote by Caryll Houselander I ran across on Mark Shea's blog this morning:


I saw too the reverence that everyone must have for a sinner; instead of condoning his sin, which is in reality his utmost sorrow, one must comfort Christ who is suffering in him. And this reverence must be paid even to those sinners who souls seem to be dead, because it is Christ, who is the life of the soul, who is dead in them; they are His tombs, and Christ in the tomb is potentially the risen Christ. For the same reason, no one of us who has fallen into mortal sin himself must ever lose hope.

Beautiful.  Sobering.

Needs more meditation/rumination.

Sunday, January 04, 2009

The bomb under your chair

Found this on a blog I follow - it's not to everyone's taste from either a cultural or religious point of view, but I found the author's take on Radiohead's House of Cards insightful. Here's a link to the video.


When I first heard this song on the radio a few months ago, I turned it off immediately after I heard the opening line: "I don't wanna be your friend - I just wanna be your lover."  I thought, Well, then, screw you, sir.  Next!  Hierothee's commentary is more charitable than my gut reaction was, and I begin to see what he sees in the song.

The interview with Thom Yorke from 2005 is fascinating as well.  Worth a read by any and all Radiohead fans as well as those interested in the intersections of Christianity and art.  This is one of those things that art critic H.R. Rookmaker called "the bomb under your chair", placed there by artists who are desperate to communicate their search for meaning in a fallen world.

Things that we should sit up and notice, and consider.

Friday, January 02, 2009

Happy New Year

I've been tagged by Allen Lewis!


So, here's the rules of our game:

1. Link to the person who tagged you (see above).
2. Post the rules on your blog.  (Look at me, Ma - I'm postin'!)
3. Write six random thing about yourself. (Hm...)
4. Tag six people at the end of your post and link to them.
5. Let each person know they've been tagged and leave a comment on their blog.
6. Let the tagger know when your entry is up.

OK - my six random things:

1. I met my husband Gary when we were in college in the '80s.  We went on one date; I graduated and moved away, we completely lost touch for 10 years, and then we ran into each other in 1996 at a Christian music/arts festival attended by 25,000 people.  Ah, Providence.
2. I once saw and said hello to Mark Farner of Grand Funk Railroad in person at the tiny Christian record label I worked for in California in the '90s.  He was going out the door as I was coming in.  (You said random...)
3. I love to disentangle things - strings, chains, yarn, Christmas lights, etc.  It creates a state of deep meditation for me.  If I could get paid for disentangling string/untying knots, I'd be filthy rich.
4. I dyed my hair blonde for the first time in my life back in August.  I did it for a show I was in; I've gotten lots of compliments on it and Gary likes it, so I think I'll keep it this way.
5. My sister Susan is a science teacher for accelerated/gifted students.  She's my biggest fan and most faithful friend in the world.
6. My father-in-law is a rocket scientist.  (No, really - scroll down for a picture of Charles Lundquist giving a lecture on orbital mechanics to W. Von Braun et al. in 1958.)


Tag - you're it!  And here's hoping your New Year is a Happy one!

Friday, June 13, 2008

Sam Phillips at Borders in Tigard


Hey, I'm back.  :)


I've been busy lately writing some new songs, a few essays here and there, and I hope to start blogging more regularly soon.

I just had to share this, though - Gary and I saw Sam Phillips play live at Borders Books & Music in Tigard, OR as part of a tour she's doing for her new album, Don't Do Anything.  She hadn't been to Portland in 12 years, and I hadn't seen her live since 1992.

Sam's music has been a great source of spiritual companionship in the years since I first discovered her in 1985.  She shifted out of the evangelical Protestant paradigm at approximately the same time I did (late '80s-early '90s), and her poetry and songwriting have been a guiding light for me in terms of depth, honesty, and quality.  Often, her songs are aids to prayer for me, since she seems to give words to what I'm really feeling and help me show my real heart to God.

The show yesterday was just her and a fellow who played a Stroh (I think that's how you spell it) violin and an electric guitar that looked (and sounded) like it had been ordered out of a Sears catalog in about 1962.  Since the release of Fan Dance in 2001, she's adopted a really interesting acoustic/retro/vaudeville/early jazz sort of style of music for her songs, which are as deep, melancholy, and beautiful as ever.

Anyway, seeing her, listening to her, experiencing her was... ah.  What words to use?  Inspirational takes it the wrong direction.  Exciting doesn't capture it.  Profound gets closer.

I had a conversation a while back with a friend on a message board that I had up on my website for a while, but took it down recently.  I want to post it again here in her honor:

[Pal:] As far as the Sam Phillips thing, I had been listening to her music all the way back from her Leslie Phillips days.

[Me:] Sam, lovely Sam!  I have everything she ever recorded - even a couple of hard-to-get promotional things.  I first discovered her in her Leslie days, in about 1985, and I've followed her closely up to the present [about 2001].  How do you like "Fan Dance"?

[Pal:] After "Die Hard with a Vengeance", I remember sitting in Dennys talking to a more traditional Christian (for lack of a better term) friend about why on earth would she play the part she played in that film (psycho murdering sexpot).  I argued in her favor, and eventually won him over, although I can't for the life of me remember what I said to convince him.

[Me:] ! Good for you.  I thought Sam was fantastic in DHWAV - no one else could have done that look that she had.  Re: the security guard murder scene (hearkening back to our slasher/horror discussion), I remember hearing Sam in an interview around that time describing her feelings about the scene.  At first she had trouble getting into it, but then she met the actor that was playing the security guard.  To her, he resembled Rush Limbaugh... and after that, she had no trouble with the slashing and blood...    :^0

[Pal:] Similarly, T-Bone [Burnett]'s work with the Coen brothers hasn't exactly been mainstream Christian work either, but it's more wonderful than so much of CCM.

[Me:]  Amen to that.  Gary and I both love T-Bone.  So glad to see his work recognized at the Grammys this year.

When I lived in southern California in the early 1990s, I had the opportunity to see Sam and T-Bone do a little set together at McCabe's Guitar Shop in Santa Monica.  It was one of the strangest but most wonderful shows I've ever seen - Sam singing, T-Bone playing guitar ("stomping his foot like a manic grandfather", one reviewer said), their buddy Van Dyke Parks doing some earnest but not-quite-there instrumental string stuff, and some weird comedy bits interspersed.

[Side note: The weird comedy bits included several appearances by the "Zen Nude Dancers".  The store staff passed out paper bags with eyeholes cut in them before they came on.  I was with a bunch of guys from Frontline, the Christian record company I worked with from 1991-1992, and they all were giggling nervously.  One of them, Michael Black, turned to me and said, "If you tell anyone about this back at the office, you're dead, do you understand?"  I joined in the nervous giggling.  The act, as it turned out, consisted of one (clothed) pole dancer who gyrated onstage for about 30 seconds and then left.  It wasn't prurient, really, just... weird.  I guess that was the Zen part.]

My fondest memory of that night:  After the concert, Sam and T-Bone were out in the foyer, autographing stuff and shaking hands.  The guys from the record company all mobbed Sam, peppering her with questions and dropping names.  I stood about two layers of people back, staring at Sam, but also at the plate of cheese and crackers in her hand that she'd brought out from the green room, since no one had eaten them.  I was really hungry, since we'd driven to the show in Santa Monica straight from work [in Newport Beach - about a 2-hour drive in traffic] without stopping for dinner.  Sam saw me eyeing the food and handed the plate back to me, across those two layers of record company dudes.  May God's blessings always rest richly upon her soul.
I was hungry, and you fed me...

A small kindness, but my heart was touched by it - and it seems symbolic of the sort of presence you are for me.  God bless you, Sam.  Thanks for coming to see us.

[H/T for photo - www.samphillips.com]

Thursday, May 03, 2007

I wrote a new song this week

Just wanted to share a new song - it's the product of some inspiration from looking at a hymnal I found in the pew at St. Anthony's a while back, along with some thoughts from the Holy Thursday liturgy where we hear about Judas year after year. Here it is:

Said Judas

Said Judas to Mary, “About that perfume –
It’s an extravagant waste, and you shouldn’t assume
that you’ll impress Jesus by filling the room
With the thick, heavy scent of expensive perfume…
True holy women, they think of the poor –
They keep to the background and don’t act like whores.
The Master’s saving the world – he doesn’t have time for just one.”
She stood back embarrassed, but Judas wasn't done.

Said Judas to Peter, “I know what you want -
to be right-hand man in the Kingdom of God.
Your “humble fisherman” act is a transparent fraud –
To condemn and control people – that’s what you really want…
You don’t understand what real people go through,
and I won’t be led by a coward like you.
Neither would the rest, if they’d seen what I’ve seen.”
Then Peter went out, and he wept bitterly.

Said Judas to the chief priests, “What can I say?
Jesus spoke of a Kingdom, like we had back in the day,
But he’s misused his power and made some bad plays –
And it’s looking like time for a full expose’...
And I just want my share of the credit, you know –
I think I deserve a little quid pro quo.
I’ll sell you my story for the going market rate.”
They shook on the deal, then Judas went out to celebrate.

Said Judas to Jesus in the garden that night,
“Dear Master, I’ve come to help you see the light.
Don’t look at me like that – you know that I’m right!
Just go with us now, and it’ll all be over by tomorrow night...
I realize my actions might be misunderstood
But you know that I love you – it’s for your own good.
You would have been a great king, how could you let it come to this?"
Then Jesus said, “Judas, you’ve betrayed me with your kiss.”

Said Judas to the children of God in that place,
“Beware as you contemplate my fall from grace –
You never can tell just when I’ll show my face.
You’ll never be rid of me, ‘cause you stand in my place...
You’ll hear me speak through your brother, or maybe see me in the mirror.
Whether your heart’s free with love, or shackled by fear,
it’ll scream who you are without making a sound.
Remember you’re headed my way, to a hole in the ground.”

- © KJL April 2007